Krister Klassman’s sculptures engage with the possibilities and traditions of the medium, utilising a range of processes along the way. In his first solo show Klassman incorporates ink drawings, digital manipulations, domestic printing and chemical reactions to produce a body of work that suggests a way of approaching a poetic dimension via digital technology. The plaster panels have had abstract compositions imposed on them through a series of processes. Starting out as ink drawings, they are photographed, processed through Photoshop, and then printed out using a domestic printer. Plaster is poured onto the printed image, leading to an exothermic reaction between the plaster and ink. The melted xerox powder from the print.